(refractions of the National Gallery, Washington D.C. Kazimir Malevich Exhibition,September 16-November 4, 1990)
for the poet sentences rise at dawn
though you wouldn't know it to look at the pictures
that are either blinding snow,snow blinding, or the absence of snow
or the absence of light is what the shadows are singing
and the eclipses, and wing tip to wing tip the origami pieces
of the black swans obliterate the semi golden crane
or I am viewed with disdain
perhaps only me thinking too much about the aureoles
or other things is this not the funeral of the Sun?
tangential things which are somehow relevant because they
are also unclear as to the source of light in the painting
or the source of no light in the painting why must I cry
we cry, dashing the tears against the absence of light
of the emigres in flight no longer
should they stand before then as before
some square of Malevich contemplating the black snows
or the circuitous rebounding of the ravens massed in
the thunderhead skies
or Chaos before Light had language
whatever are we to make worldwide
of the private declensions we have known
the forced departures, weddings from the throne rooms decreed
and then the beheadings
let the black snows accumulate
and the white conceptual rainbows dazzle on
all squares being equal in the end and courtyards
with some ballets of diamonds made portending
a possible choreography from here
whenever nightfall comes in the middle of the school day
the interminable term
the curtain descending mid Christmas on the several worlds' ends
or being but not on Grace
yet art remains a thing not to be ransomed
before a friend can be traced or disappear
or be rezoned or leave since leaving is also a home
though tears remain dashed against a stone.my tears alone.
for all things known and unknown.
pure obsidian.
mary angela douglas 29, 30 august 2021